The kitchen is open!

Thursday night there was quite an event here in Salzburg: the charity launch of a new cookbook (Christmas present alert!) by Evelyn Rillé and Johannes Ifkovits, entitled "Die Oper Kocht". It is a who's who of opera folk sharing their best recipes with brilliant, playful photos, all by Johannes himself, as well as handwritten recipes in each of the singer's native language.

It's a great idea, and I have to say they have executed it perfectly! Nearly every opera star you could hope for is featured, and recipes vary from Wasabi Risotto (Ferruccio Furlanetto) to Borschtsch (Anna Netrebko) to Fajitas (Kurt Streit) to "Zimtschnecken" of your's truly. Translation = Cinnamon Rolls!!

I had a BLAST preparing these for Johannes and Evelyn for the photo shoot, but my history with this family recipe goes back decades now. It was always a full-on ceremony to prepare them on Saturday afternoon for a big Sunday Brunch with the Flaherty Family, and usually it was the job of my older sister, Amy, to get to work kneading the dough and slathering it with butter and cinnamon. I remember that my eyes barely fit over the counter-top so I would pull up a stool and marvel as she turned and twisted the dough, sifted the flour over it, and wielded that rolling pin with grand expertise!

As the years went on, the dough-duty filtered down through my sisters to me, and to this day preparing a batch brings me back to such wonderful memories: the 9 Flaherty Family members all patiently waiting for them to be reheated, doused in icing, and devoured ceremoniously until we could eat no more. (They really are amazing.)

You'll have to purchase the book for the recipe, and an English version is set to be released in time for Christmas! I'll be sure and alert you when it's available. I think a Japanese version is also on its way!

In the meantime, I share some of the fun photos from the session we had. And this has inspired me - we should do a "Yankeediva Reader Recipe Share!" Feel free to leave your favorite recipes in the comments section. (I'll have to come up with another recipe that isn't published to share here!!)

Punching down the dough (my favorite step!) after the first rising:


More cinnamon, please:


With Cinnamon Rolls, really, you can never have enough butter, so I spread just a TOUCH more on the top:


My work here is finished:


At the event on Thursday night, my dish was paired with an Apple Tart from Piotr Beczala and Plum cake of Alexandra Kurzak, as well as a delicious sweet wine:



CHEERS!

PS - Follow me on Twitter!

It's a November release, Baby!!!

(Can you tell I was a bit tired? "I'm doing another Rossini work, 'Stabat Mater' of Rossini." Redundant much? ;-)

I had a show in Milan on a Tuesday night in July, and a driver picked me up from the secret exit of the theater (so clandestine!) so I could make a quick escape, and what should have been a 4.5-5 hour drive, ended up taking over SEVEN HOURS!!! The "driver" was by far the slowest man on the road (he was being "safe" he assured me!) but the bigger culprit was that he had brought his wife along and she had to stop for the restroom 3 different times. It was out of a bad dream.

I didn't sleep a wink, and fell onto the hotel bed at 6:15 AM. The recording started at 10:30. SOMEHOW I felt great for those 2 days, we had a ball and made some truly gorgeous music together, and I then returned on the high speed train on Wednesday night, slept about 12 hours, and did 2 more Rosina's back to back to finish my run in Milan.

Rossini owes me BIG time! ;-)

Dress rehearsal for "Norma" today was intense, moving, scary, wonderful, overwhelming, nerve-wracking and all-around fabulously exciting. Bellini - you are THE MAN!

Too beautiful

Just a quick post (reassuring you that I have not sold my soul to Twitter at the expense of my blog postings!), but I had to just say how unbelievably BEAUTIFUL I find the music of Bellini. It's pure, it's simple, it's achingly beautiful, as in the case of the final shattering scene of Norma.

We were in a rehearsal room today for our orchestral rehearsal, not the theater, and so while some acoustical advantages are lost, a different kind of intimacy is achieved: we are much closer to each other, and the orchestra and choir are crowded in, without too much room to spare. As a result, we feel much more closely the singer next to us inhaling, and as they sway with their vocal lines, we are drawn in even closer to their emotion and their vocal hurdles, so a sensation arises of truly being a team of individual athletes (for singing bel canto is ABSOLUTELY an athletic task!) searching for a way to tread the most delicate bel canto line of perfection and purity, alongside unbridled emotion and raw power.

I loved watching the orchestra players react to Edita's singing of the final scene: eyebrows raised in astonishment, smiles breaking out in spite of themselves, jaws gaping open ever so slightly as she pulls out a diminuendo on her high b-natural. I loved the titters of astonishment from other cast members as one of us dared to sing even more softly, or hold out the messa-di-voce just a *little bit more*.

It was a magical rehearsal, and highlighted all the reasons I love to sing: I get to test myself, and push myself in a million different ways which constantly invites me to grow and learn and excel, but all the while I'm contributing and participating in something that is much bigger than myself - the piccolo player and I and the 4th-bass-from-the-left in the choir are all there to tell the same story, and we all need each other to pull it off! The sense of accomplishment as an individual, but also as a team, is extraordinary.

I am also finding it to be highly inspirational to be in this lovely city where music seems to be the sole life-force. (OK, after some fabulous shopping!) We have lucked out with an AMAZING apartment here, glass windows all around, providing a breathtaking panorama of Salzburg, and church bells seem to be going off from all directions nearly every 15 minutes during the day. I've fallen in love with it, and smile thinking, "I wonder if these were the same bells Mozart heard on his way to the theater?" It is a city that inspires wonderment and creativity and excellence, and I hope all of those traits will be with me going into these concerts next week.

(Sadly, as I understand it, there is no plan to broadcast the concerts, so I apologize to those of you who had been searching for a way to listen!)

I need to get my camera out, but for the moment, all my energy is on Bellini....

CHEERS!

Opposing views

I read this horrific, incomprehensible article from the Guardian newspaper this afternoon, and it made me immeasurably, profoundly sad. Truly, my soul wanted to curl itself up in a corner and find a blanket to lay over itself, simply to disappear and escape the pure insanity and foolishness of it.

How can we, those of us who are lucky enough to have the freedom to choose to listen to Ella, or Elvis, or Maria, begin to comprehend a life without music? A life without the opportunity to express yourself, whether listening, dancing, playing or singing, via MUSIC? I can't profess to know that much about the history of Islamic music, but I do know that it is rich and varied and deep. With all due respect to this culture that I do not comprehend well at all, (which should, perhaps, preclude me from passing any kind of judgment, but alas, I cannot help myself on this point) I mourn for the people who have had this life-affirming necessity taken from them, and can only hope that they are resilient enough to find the ways to feed their souls in a meaningful, truthful way.

In a desperate search for the counter-balance to the poison above, I propose a concise, perfectly illustrated demonstration of how invaluable music education is. It's only an audio sampling, but what an effecive one it is: a band teacher uses his band members to demonstrate the amount of skill and it takes to make music.



Please feel FREE to pass this around and remind people how valuable the study of music is, not to mention a life overflowing with the beauty of music!

Another sublime musical experience today, as I rehearsed Norma with the really superb Camerata Salzburg accompanying us. Watching Ms. Gruberova inhabit the character of Norma so completely inspires me to great heights, and makes me overflow with gratitude that I am surrounded by glorious music, sublime artists and beautiful human beings. It only makes reading the first article all the more painful, thinking that not everyone has this luxury at their fingertips.

Let the Tweets begin!

Ladies and Gentlemen, I MAY be crazy, but I've just elected to TRY the Twitter-universe. Wish me luck, but it was this afternoon's AMAZING first piano rehearsal of "Norma" here in Salzburg that inspired me - I wished I had the way to telling everyone right away what I was feeling. So on the advice of several friends, I came home and "tweeted" my first "tweet":

"Singing in thirds with Edita Gruberova for the first time today = heavenly!!! Can't wait for the concerts! (9th and 14th)"

So, let the games begin! If you feel so inclined, search "JoyceDiDonato" - I'll be there!

(and truly - it was heavenly! She is a MIRACLE and beyond inspiring!!!)

Getting back into the swing of things

It's HARD to finish a soothing, relaxing, rejuvenating vacation! I want one more day to swim in the pool as the mountain waterfall plays in the background. I wouldn't mind one more back massage. And certainly I will miss the abundant breakfast buffet (although another day of that might put me over the edge!) It's been perfectly perfect and just what the doctor ordered.

Tomorrow I head off to my "first day at school", as we opera singers often refer to the first day of rehearsals. It's a good analogy, because a real sense of anticipation fills your head the night before making sleep a bit hard to come by, and you put a little more thought into what you will wear to that first rehearsal, as you hope that you're prepared enough, and that your voice decides to show up! (Even now I still silently think to myself, "Boy, I hope they don't fire me!")

But in preparing mentally to get back to work, calling upon the great singers of the past somehow can provide that extra "push" needed to snap out of the hot-oil-massage-induced-bliss, and my friends, there truly is none greater than the First Lady of Song.

I had not seen this tape before, and I can't stop playing it and marveling at the sheer genius that pours out of her. Nearly 3 minutes of acappella singing and she lands SMACK IN THE MIDDLE of the final chord, PERFECTLY in tune. PERFECTLY. Every note perfectly in place. A billion different colors and textures and rhythms and emotions. She astonishes me and in seeing this I think how FORTUNATE we are to live in an age where this kind of unbelievably rare performance is caught on tape to be enjoyed and admired by those of us who couldn't hear her live!

Enjoy, and see you in Salzburg! (I'm EXCITED!!!)



P.S. This video was located during a youtube marathon that was instigated by the great Larry Brownlee who had shared a favorite video of his by the inspired Mel Torme, (which led us on a late-night tour of Nat King Cole and Danny Kaye and Frank...aaah!) But I had forgotten how brilliant the "Velvet Fog" was, and how SMOOTH his voice was - not to mention how much control over shading and dynamics he employed. Here is the video he posted - perhaps he's a bit past his "vocal prime" - lord knows we'll all get there one day! - but that only means more richness of interpretation and smoothness. It's heavenly!



This makes me curious - who are your favorite singers outside of the "operatic" field?

Parting thoughts, secret looks, and invitations!

(On the famed Ponnelle set of "Barbiere" during intermission - photo graciously taken by an enthusiastic stage hand whose name I unfortunately missed: Grazie mille, amico mio!)

Well, what a whirlwind this past week was! What an experience Milano was! What a life, eh? I can't write too much, because technically I'm on vacation (aaaaaaaaah) but part of my vacation plan was to catch up on over-due things, and writing this blog is one of them, so I don't feel as if I'm breaking any spa rules, here! Besides, Milan was so special, I'm quite happy to share.

But let me get the invitation out of the way first: if you feel like participating in a vote that is not of a political nature, feel free to join the classical crowd at Gramophone to vote for "Artist of the Year." I'm more than excited to share that I am among the nominees, and sharing the votes with the likes of Placido Domingo, Tony Pappano, Lang Lang, etc is rather AMAZING and thrilling! I won't ask you to vote for me (but you are, naturally, more than welcome to!) but it's a lovely tradition that Gramophone has to keep such a prestigious award in the hands of the people who really count: YOU, THE FANS! So take a look, register, and vote for your favorite artist!!

Parting thoughts consist of the remarkable run I had in Milan. Sadly, our other Rosina fell ill, and I'm sure you all join me in wishing her a most quick and complete recovery. But it meant that they asked me to fill in for the performances she was meant to sing: as a result, I performed 8 Rosina's in 15 days, 2 times singing 2 performances back to back. Happily, Rosina agrees with me, but that was a long haul - especially considering that I made a mad dash to Rome between 2 shows to record Rossini's Stabat Mater with Tony Pappano ("secret looks" coming up!)

But the Milanese opera lovers were out in full force, and I can't thank them enough for the wonderful reception they allotted me, and the astonishing casts I was lucky enough to perform with. But here's the thing: I realized during my last show with Juan Diego on the 23rd, that we don't have anymore Barber's scheduled together. Now, no need to panic - anything can happen in this business, but we both happen to be quite full for the coming few years, and we don't have too many more Barber's on the schedule. For all practicality, it is possible that the 23rd of July was our last performance of this opera together! I realized that going into the intermission and felt very emotional as the curtain rose for the 2nd act, for it has not escaped me that we have been a part of a very special team for the past few years, and Barbiere has certainly been at the top of that list. The musical excellence I think we found together was quite remarkable, and if this WAS the last one, I will miss it very much! Yes, we have other shows scheduled together, but Barber has been something special...

The next night I shared the stage with Lawrence Brownlee and we were overcome with similar emotions: we both come from America, having worked our way up the ladder of conservatories, local competitions, young artist programs, etc - and yet, here we were, bringing the house down in Milan at the famed La Scala. We had both had a VERY long week leading up to our final show, and during the final number, we just held so tightly onto each other, soaking up the moment, soaking up the emotion, and reveling in the beauty of it all.

During this remarkable run I've had the immense privilege of being in the very front row (surely a very coveted position!) listening to these two very different, but equally astonishing artists sing the demanding "Cessa di piu resistere" and each night has been a true joy as I could soak up their supreme excellence and commitment to the art form. I will treasure the memories of singing with such wonderful casts here in Milan for a long time to come. And if it's the last time I grace the stage in Barber with these outstanding colleagues, the richness of the experience will certainly last me a life time!

Now - the secret looks!!!

So, 8 shows in a row is quite a lot, and as the last show approached, I will not lie that my excitement for getting to my vacation destination was growing rapidly! So as can happen during performances of a Rossini comedy - especially the last one of the season - the antics can start to really pick up! I'm not good at pulling on-stage jokes on my castmates - there are others who are true genius's in that department! But I DID happen to bring my camera discreetly with me into "my room" during the final show! I spend a LOT of time during the first act in this particular production waiting in Rosina's room, as there is no way to exit off stage - once I appear on the balcony, I'm stuck! So I thought it might be fun for you to see some of what I see while listening to the Figaro/Count duet, Basilio's aria, etc.

You've seen me sing from the balcony, but most of you have probably never seen the interior of Rosina's room. Simple, and yet perfectly detailed, here is were I quietly hum along to the Fig/Count duet, making sure the voice is "there" for the aria:

P.S. I have to hide my water bottles under the lace drape over the dressing table!

The hidden guitarist who accompanies the Count during the opening canzonetta, is discreetly placed over on stage left, and his eyes never left the tenor singing that night, so that his accompaniment could match the phrasing perfectly:


One of the true treasures of this 40 year old Ponnelle production (born the same year as your's truly!) is that all the turns of the round stage are done BY HAND! That's right - no hydrolics involved, only real Italian man (and woman!) power! They pivot the stage during the Fig/Conte duet, as I'm waiting by the balcony, so I get to see first hand the chorus of muscle working hard in tandem to turn this IMMENSE stage, and I think it's amazing to know that so many people behind the scenes are making the magic happen! This isn't a great photo, as it was VERY dark backstage, and obviously I couldn't use a flash - but trust me, the proud stagehands were smiling and mugging for the camera perfectly:


I just love the sepia look of this set. The intricacies of it's construction, again, built over 40 years ago, still amaze and dazzle the public. He truly created a functioning, magical Seville! I enjoyed getting the chance to catch these sets without the wandering priests, nuns and singers and was able to see the design in it's purest form:




Again, there was no good lighting to be found backstage (the nerve!!!) but I squeezed out a photo of the beloved Ambrogio and Berta who add an IMMENSE amount of character and realism to the wacky world of Dr. Bartolo's house:



I really enjoyed having the chance to capture some of the inner workings of a production this epic - and I feel truly honored to have joined the legacy of amazing singers who have breathed life into this story on this perfect set!

One last preview:


In Rome to record Rossini's Stabat Mater with an astonishing line-up of singers and the incomparable Tony Pappano at the helm, we shared 2 days of intense, inspired music making. I think this piece is a true jewel, packing a most powerful emotional punch, and to sing it with the Orchestra and Chorus of Santa Cecilia (following up our collaboration on the Colbran disc!), with these outstanding solists, and with Tony - well, it was pure heaven. I had no business squeezing this in between shows at La Scala (it involved escaping after a show and driving to Rome with the world's SLOWEST driver, arriving in Rome at 6:15 AM, ready to record at 10:30 AM!), but it was the only possibility, and one I did NOT want to miss. Funnily enough, the music gave me all the energy I needed, and the week proved to be exhilarating beyond words! I can't wait for the disc to arrive, but in the meantime you can catch a sneak preview of the process here, courtesy of BBC World.

Well, if you've made it this far, you deserve a medal! And that's it for me until I arrive in Salzburg - how nervous and excited I am to add Adalgisa to my repertoire, with such an exciting cast! Lots of work left to do, which includes RELAXING and BREATHING!

Thank you all for your support and try to stay cool in the coming weeks!!!

CHEERS!

Heating things up

It's July 20, and I have 4 more days of the Italian Heat! I can make it, right? They will be busy days, but I can do 4 days! That's way easier than 5, and miles away from 6 days! The beautiful part, is that after I make it through these 4 days, I'm officially on a mini-vacation, and there is an Austrian Spa that has my name in neon lights flashing through the Alps! I can NEARLY smell the evergreens and feel the alpine breezes and the hot stones working their magic on my shoulders! Am I there yet?


(With the effervescent Franco Vassallo as Figaro)

Nope - I get two more lovely evenings at La Scala to perform in this glorious, historic production of Jean-Pierre Ponnelle's, relishing the opportunity to join in the enormous legacy of leading ladies who have donned Rosina's skirt for nearly two centuries here in Milan. (For curious minds, the first was Carolina Pellegrini on September 16, 1820!) I love being a part of such a legacy: not only being one of the many who have sung a role, but for example, tonight is the 171st performance of Barbiere at La Scala - imagine 171 performances, 171 audiences, 171 "Una voce poco fa's" - and that's only in one theater. I love to be a part of something that has traveled the world, been performed by so many different people, sung for so many different audiences - each night is something entirely new, and yet the unifying aspect of it all - over the centuries and cultures - brings a sense of peace and an "all is right with the world" sensation.


(With Juan Diego Florez as the Count and Alessandro Corbelli as Bartolo - perfection in so many ways!)

If I can't yet have my hot stone massage, I'll CERTAINLY take that for the moment!


(The famed Teatro alla Scala after hours)

I would also love to share some wonderful news with you all! I will be the recipient of the Female "Singer of the Year" for the Echo Klassik Awards, taking place in Essen, Germany on October 17. It's a wonderful award, and I'm truly honored and humbled to be receiving it - especially considering that my "counterpart" is Jonas Kaufmann!) Congratulations to the mighty list of winners!!


(The statue that bears the name of my lovely husband!)

And finally, an enormous "Grazie mille" to all the lovely people who came out to my "incontro" yesterday at the Scala Bookshop. It was a lovely (warm!) afternoon, and I appreciate your show of support very much!

In the meantime - back to Seville!
Olé!!