Saturday, October 18, 2008

You call this work?

I'll admit it - this role of Beatrice has been WAY down on my radar screen, and I was finding it quite difficult to find the motivation to dive into this. To be quite honest, if you compare it with Octavian, Alcina, Ariodante, Romèo, Elvira - well, those roles spoke SO loudly to me, like black holes they pulled me into their vortex and didn't let go!!! Beatrice? Not quite so much ... I welcomed the opportunity to procrastinate and avoid learning what seemed to be a rather glorified operetta, with seemingly little to offer artistically.

Well, shows you what I know! I arrived in Houston ready to hate the piece and the process. ("Where's the DRAMA?!?!?!" I asked, having been so spoiled with those iconic, heart-wrenching roles of the first paragraph! "Where's the DEPTH?!?!?") Well, ok - there really isn't any drama, it's true. And the depth is there, but it's definitely not the deep end of the pool. BUT, it's sunshine! It's a spring breeze! It's panna cotta! And it's been a joy to jump into - thanks to a fabulous atmosphere, cast and team!

Painting the music
Our conductor, Michael Hofstetter will be making his US debut with this piece, and he's a real discovery for me. He has a beautiful sense of the French style and has a wonderful sense of humor, freshness and enthusiasm that I just appreciate more and more. The longer I am doing this career, the more I gravitate to those people who unapologetically love what they do!

The Maestro
The production's effervescent quality fits the music perfectly, and our cast is just a complete and total joy. It hardly feels as if we're working, as the atmosphere is so light and easy. I had no idea how much I needed a production like this, for it costs me nothing (in terms of vocal power, stage energy, relentless concentration) - and instead, I feel as if I get to dress up and just go PLAY for a few hours, tripping along without a care in the world. It's as if the "Opera Career Doctor" knew the exact, perfect prescription I needed!!

I'm not listening
The other beautiful thing about this experience, is the dialogue in this piece. It is taken expressly from the Shakespeare, which means that I don't mind TOO terribly much singing this piece in English - for it brings it back to its theatrical origins. (Although, I can't lie: I do miss the ease of the French as Berlioz perhaps intended, however I'll make up for that in February!) But we sit around a table for hours at a time working on ONE PAGE of dialogue - and I've found it exhilarating! As a singer I never get to make choices about beats and inflection - the composer has made all the choices for me, as he has chosen the dynamics, the stress, the articulation, etc. This is a new world for me having this kind of freedom! But it's a bit unnerving at first to feel so COMPLETELY insecure in how to utter a line without the net of music underneath me. It's alarming how naked that feels! Thankfully, we have a real pro among us, the wonderful Charles Krohn, who is putting us all to shame with his ease of delivery and expertise.

"Thou sayest what?"
Hopefully we'll catch up a bit by the opening night! But it's funny how you can be so sure about one thing, and in a matter of moments, be proven completely wrong. Happily, I can say I was terribly wrong and am enjoying this Shakespeare/Berlioz cocktail of sun, smiles and sass!


Larissa said...

While I was so, so sorry to hear about the death of Bill Hardy, I couldn't think of anyone better to step in than Charles Krohn. He was my freshman English teacher in 1978, and I took a Shakespeare class from him.
It seems as if you are enjoying this direction and in some ways, playtime, in your exploration of roles.

Chicago Usher said...

Dear Joyce!

I must tell you that you've been everywhere tonight at Chicago Lyric... your face, that is. Today was Operathon, which you graciously agreed to pose for wearing this season's tie (and shirt, etc.). It was an insert in this evening's program. Would that the voice and soul and body were with it, but I wouldn't begrudge you your wonderful Houston experience for anything.

Cheers, much joy & freedom!
(but do come back to visit us soon!)

Mei said...

Beatrice and Benedict... They have a lot of verbal fencing... Maybe this role demands more from you as an actress than as a singer...